About Touched By Fire Photography:

Touched By Fire is a collection of work by artist Jane Bush consisting of live concert photography, artistic creations, and other photography work. Jane has been creating art since she was young enough to draw and paint, and ventured off into other mediums as her education and experience grew. She is experienced in illustration mediums such as drawing, portraiture work, fine art painting and digital art painting. She has always been a music lover and had a growing passion for live photography, venturing out to photograph gigs in early 2009. She quickly went from photographing local bands to national acts, and has had her work published for such sites as buzznet.com and notesfromthepit.com. She has photographed such artists as The Academy Is.., The Yeah Yeah Yeah's, Peaches, Taking Back Sunday, and many more. She looks forward to photographing more live acts in the new decade as well as continuing to create more artwork in the future years.

  • yes and amen to that!


  • Archive: March, 2009



    12 Summers Old live @ Pop’s photos

    Saturday, March 28th, 2009


    12 Summers Old from Belleville, IL performed a powerful, engaging set at Pop’s in Sauget, IL/St. Louis on March 6th. As I’m catching up on editing photos from some of the sets from earlier this month, I’m reminded how awesome this band was. Check out the full collection of 70 photos from the set that I took on here on flickr.Also be sure to check out 12 summers old on myspace.. Their official site is 12summersold.com.

    The Sleeping live @ The Fubar

    Thursday, March 26th, 2009


    Long Island’s The Sleeping provided a fierce, in your face set last month, and I was lucky enough to capture them in action. I was highly impressed with their viscerale sound and grinding hardcore edge. You can view my photos from their intimate set at St. Louis’ Fubar at my Flickr gallery.
    Thanks to the awesome folks over at , it is also being featured in their concert photographer galleries. Go check ‘em out!


    Evan Taubenfeld Live Acoustic Show Photos

    Wednesday, March 11th, 2009

    Avril Lavigne’s former guitarist, Evan Taubenfeld, but on quite a charismatic opening act for The Academy Is… on March 8th @ the Fubar. Evan has successfully grounded himself as a solo artist and has not only witty lyrics but an engaging stage presence to go with it. Check out the entire set of photos I took of his performance at flickr. You can also check out Evan’s official website at blacklistclub.com.


    The Academy Is acoustic show: Photography from last night’s show

    Monday, March 9th, 2009
    The Snakes & Suits tour proved to be an amazing one as William Beckett took the stage

    The Snakes & Suits tour proved to be an amazing one as William Beckett took the stage

    The Academy Is was a blast hearing all the favorites in a small intimate setting of the Fubar in St. Louis! I was pretty overzealous with my memory cards, filling up a total of 600 photos and half of them were processed. You can see the entire photo gallery of all 291 captures from last night’s show here on flickr. Maybe this wasn’t exactly “savvy” to save all these photos as a professional photographer, but I figured I might as well make the exception this time since there was no usual “3 song” limit.


    Bob Dylan

    Sunday, March 8th, 2009

    From my daily music dose journal @ Buzznet.

    I’ve been a longtime fan since I first discovered his work by working in music retail in the late ’90’s, I’ve been able to rediscover his work over the past decade multiple times due to his vast catalogue of music and lately for the recent MCR cover of “Desolation Row” for the Watchmen movie. For those of you who aren’t familiar with the genius of Dylan, listen up and take notes. Even if Dylan is not for everyone, I still think he should be. All you have to do is listen.

    You may even be surprised to find you already know a Dylan song or two; many artists have covered Dylan over the decades. Everyone from Jimi Hendrix to PJ Harvey to Muse to now even My Chemical Romance.

    While some of you may be familiar with his early work in the ’60’s as becoming a figure of writing songs such as “The Times They Are-A Changin’” and Blowin’ In The Wind; songs that became anthems for civil rights movements and anti-war, it’s one of these particular songs I’d like to point out that seems even still to this day timeless. That song is “Masters Of War”, from his 1963 album The Freewheelin’ Bob Dylan: paints a picture of those responsible for war that can be used even today’s societies:

    You that never done nothin’/But build to destroy/You play with my world/Like it’s your little toy/You put a gun in my hand/And you hide from my eyes/And you turn and run farther/When the fast bullets fly

    While it’s an understatement to even say Bob Dylan is simply a genius, it should be given credit where credit is do for this: he is a singer, songwriter, author, poet, painter, and a thinker. At the heart of his genius is not just a multi-talented musician, it his lyrics that spark the interests of millions and generations and are a subject of poignant interest. While his earlier work in the ’60’s was a herald of truth to the tension of the times, his more personal work in the ’70’s also paints a truthful picture for humanity: honesty in his emotional songwriting. So honest, in fact, that it’s safe to say I think Bob Dylan has written over the years a song for everyone in every type of relationship. Storytelling in its most poetic musical form: lyrics. Albums such as 1975’s Blood On The Tracks is a long time favorite, possibly because it’s full of emotion and storytelling, as exampled here in “You’re Gonna Make Me Lonesome When You Go”:

    “Situations have ended sad/Relationships have all been bad./Mine’ve been like Verlaine’s and Rimbaud./But there’s no way I can compare/All those scenes to this affair/Yer gonna make me lonesome when you go.”

    Even his work in the late ’60’s when he made the jump from acoustic to electric performances, much to his earlier fans’ demise, is just as important as his anti-war songs. Albums like Bringing It All Back Home and Highway 61 Revisited are just as crucial to knowing Dylan as to knowing his early work. He didn’t want to repeat himself, didn’t want to explain himself and didn’t have to. Much like the person he is, he says what he says and he doesn’t prefer to be boxed in a corner when it comes to his craft. He despised being called “a folk singer” by press, and he wasn’t afraid to challenge the likes of journalists when questioned why he made the change to take his music in a different direction. While fans of this time called his work “an abortion”; imagine how wrong they really were. Songs like Subterranian Homesick Blues and Maggie’s Farm became legendary and set a foundation for other artists to branch out their style. Even so, it’s his little gems I’ll suggest you listen to.

    I could probably write an encyclopedia on Dylan, talk about him for hours, but I think the point of this entry is to go out and discover his work for yourself. Once you’ve appreciated him, you’ll never quite look at songwriting or the world the same way. I was lucky enough to see him several times live, and he never dissapoints. The first time was at the Illinois State Fair in 2000, 50 ft from the stage and probably the first and only time I’ve ever been starstruck. His songs will make you think, they’ll make you cry, they’ll make you laugh. His lyrics will touch you. He is equally an open book and a mystery.

    And finally, yes, shameless self promotion, as I’ve done some artwork of Dylan in tribute to the man himself

    Bob Dylan Pop Art - Photo Hosted at Buzznet

    A Few Dylan Classics:

    “The Times They Are-A Changin’” * “Blowin’ In The Wind” * “Like A Rolling Stone” * “It Aint Me, Babe” * “Mr. Tamborine Man”

    A Few Personal Dylan Favorites: (and this is condensed)

    “She Belongs To Me” * “Tangled Up In Blue” * “Series Of Dreams” * “Tombstone Blues” * “Things Have Changed” * “Desolation Row” * “Highway 61 Revisited” * “You’re Gonna Make Me Lonesome When You Go” * “Buckets Of Tears” * “Leopard Skin Pill-Box Hat” * “Dirt Road Blues” * “It Takes A Lot To Laugh, It Takes A Train to Cry” * “I Want You” * “Most Likely You’ll Go Your Way (And I’ll Go Mine” * “Don’t Think Twice (It’s Alright” *

    Dylan Video Fun

    “Subterranean Homesick Blues”

    “Series Of Dreams” (an incredible song) View the awesome video here: I couldn’t embed it, sorry…youtube’s fault.
    http://www.youtube.com/watch?v=H-gamWTze6g

    “Don’t Think Twice, It’s Alright” (awesome song, awesome video)

    If you get a chance to watch the Martin Scorcese documentary about Bob Dylan entitled “No Direction Home”, I highly highly HIGHLY recommend it! Have a great weekend everyone! Hope you find a place in your heart for Bob Dylan!

    Nine Inch Nails

    Sunday, March 8th, 2009

    Taken from my daily music dose journal @ BUZZNET.

    I’ve been a fan since the early ’90’s when I was in high school, and later ran a NIN fan art based site that allowed me to connect with other devout “NINians”. I could probably write an entire biography on his work, but I’ll leave that to wikipedia and the major NIN fan sites out there. While he may not be in favor of the hardcore Fall Out Boy fangirl, one thing is undeniable: his body of work and aesthetic appeal in musical talent are unmatched. He’s shaped a musical sound since 1989 that has influenced a thousands of bands/artists sound, everyone from the amazing band Muse to AFI to The Birthday Massacre to even the late Johnny Cash.

    From 1989’s groundbreaking Pretty Hate Machine to 1994’s controversial and brilliant The Downward Spiral , Trent has tested musical boundaries with major label record companies and has never been one to back down with his artistic integrity. To make this as condensed as possible, nothing like Pretty Hate Machine had been done before. Not with emotionally raw lyrics, that is. The other factor that plays a huge part of influence in Reznor’s work. The honestly of his lyrics, covering everything from heartache to isolation to even suicide and back to hope again in such songs as the well known “Hurt”: And you can have it all/my empire of dirt/I will let you down/I will make you hurt to the lesser known “Even Deeper” (in which Dr. Dre co-produced): I woke up today/to find myself in the other place/with a trail of footprints/from where I ran away.

    The versatility of change came in 1992’s Grammy Award winning Broken, which Reznor described himself as “An ultra-fast chunk of death.” And it is; you’ll never quite hear guitars in that manner, that hard on any other album by any other artist. With 1994’s The Downward Spiral, you have a concept album of a man stripping away the elements of his life by breaking them down and nearly himself. With its musical highs and lows, you’re never bored or left with “filler” tracks, and you’ll hear some of the most intricate and gritty sounds to pierce your ear. The critically acclaimed 2-disc set The Fragile is a good, strap-your-headphones-on, 2 hour experience with the likeness to Pink Floyd’s The Wall, combining layered textures of sound with organic instruments such as the mandolin, the oboe, upright pianos, the cello along with electronics. Who else can do that and honestly pull it off?

    Following a 5 year hiatus of sobering himself up, Reznor went on to produce 2005’s amazing With Teeth, featuring Dave Grohl on drums and 2007’s visionary, apocalyptic Year Zero. He left Interscope records and independently released a 4-part series of musical landscapes known as Ghosts 1-4 as well as last year’s The Slip. I highly recommend all of these albums. His versatility in his catalogue range from the calm beauty of “La Mer” (from The Fragile) to the hard hitting “March of The Pigs” (from The Downward Spiral) to the dark ambience of “Me, I’m Not” (from Year Zero). His work is just that amazing.

    Might I add that if you have not experienced Nine Inch Nails live, it’s just that: an experience. I’ve had the pleasure of seeing them 5 times live since I was a junior in high school, and each time was different and equally mind blowing both musically and visually (The first time I saw NIN live was in 1996, when I was 16. He was onstage with David Bowie, and let me just say-that is a memory I’ll never forget).

    So the long and short of it? If you’re not familiar with NIN, educate yourself. You’re seriously missing out! This is your time to learn about who some of your favorite bands were taking notes from.

    Key Tracks:

    (I’m not going to give you all obvious tracks, you can find those out on your own. Rather I’ll give you ones that are quite important that show the versatility of his work-and provide you with some videos too). Honestly? It’s so hard to choose!

    “Wish” (from Broken
    “The Becoming” (from The Downward Spiral)
    “Head Like A Hole” (from Pretty Hate Machine)
    “Just Like You Imagined” and/or “La Mer” (from The Fragile)
    “The Perfect Drug” (from The Lost Highway Soundtrack)
    “Hurt” (from “The Downward Spiral”)
    “In This Twilight” (from “Year Zero”)

    Video Fun with NIN, kids!

    “The Perfect Drug” (directed by the visionary Mark Romanek & inspired by artist Edward Gorey-google him.)

    “The Day The World Went Away” (very beautiful song)

    “Wish”

    “La Mer” (live from the 2000 fragility tour-watch the beautiful giant screens in the background)

    Closer (live from the 2000 fragility tour)

    “March of The Pigs” (because you love it…you know it)