About Touched By Fire Photography:

Touched By Fire is a collection of work by artist Jane Bush consisting of live concert photography, artistic creations, and other photography work. Jane has been creating art since she was young enough to draw and paint, and ventured off into other mediums as her education and experience grew. She is experienced in illustration mediums such as drawing, portraiture work, fine art painting and digital art painting. She has always been a music lover and had a growing passion for live photography, venturing out to photograph gigs in early 2009. She quickly went from photographing local bands to national acts, and has had her work published for such sites as buzznet.com and notesfromthepit.com. She has photographed such artists as The Academy Is.., The Yeah Yeah Yeah's, Peaches, Taking Back Sunday, and many more. She looks forward to photographing more live acts in the new decade as well as continuing to create more artwork in the future years.

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  • Archive: ‘Appreciation’



    New artwork : “The Color Muse”

    Saturday, September 4th, 2010
    An ocean of color for your eyes: Sketched in graphite, drawn/painted with watercolor pencils.

    An ocean of color for your eyes: Sketched in graphite, drawn/painted with watercolor pencils.

    All artwork is Copyright 2010 Artist Jane Bush | Touched By Fire | Artist Jane Bush.com. Stealing, reproduction, or reposting anywhere on the web is strictly prohibited and illegal. If you are interested in a print of my work, please visit my portfolio on redbubble.com

    It’s been a while since I’ve completed a full illustration. As an artist, lots of ideas come to mind, and the trick is knowing which ones are worth executing. As artists, when a creative block hits us, it’s called a creative block for a reason: You cannot force the creation to fruition, and you have the choice to walk away and allow time to empty your head and come back to your craft, or simply move on with other projects until the creative inspiration comes back with the piece you’re stuck on.

    As the great Tori Amos once said, “My songs are already there, I’m just the messenger for them.” I’m sure it sounds intangible and crazy to the non artistic individual. I’m sure many artists whether they be musicians, illustrators, photographers, painters, or whatever they do, can identify with this statement. Your creations have already been planted in your soul and in your head, it’s just a matter of channeling them with your talent. Your truest art always has some statement to make, and you’re the vessel for it to show the world. I started this piece last year, and “The Color Muse” was the first and only title that fit. She was there within hours of sketching on my bristol board. She wanted to come through, but I wasn’t sure what it was she wanted to be.

    I wanted to experiment for the first time with something different: watercolor pencils. I am by no means a watercolor artist, but I highly respect the skill it takes now having dabbled in it. I felt as the months went on and the place she was at (see the third photo below) she had something very elaborate to say. I realized as I finally picked up my pencils and paintbrushes that it wasn’t a message of emotion so much as it was an intellectual statement.  She represents the  childlike, creative curiosity in all of us as artists to see if our ideas will work. She represents hope of creating something beautiful and different. She became what I was feeling as an artist at this point in my life. She wants to make many grandiose, beautiful works of art that speaks for themselves. She is proud, and she is sexy. She is what she is. She’s a mermaid, a muse, and is channel of things to come. I had to cross her bridge and create her in order to move on as artist.

    “The Color Muse” will be available as a greeting card, canvas print, photo print, and more as soon as it is uploaded to my portfolio on redbubble.com.

    Here below: The evolution of “The Color Muse”. Each time a new piece is fully created and I post here, you’ll be able to see each piece of artwork in stages. I apologize for the first two are awful photographs (my scanner was not working on the time).

    "The Color Muse" Raw sketch (Summer 2009)

    "The Color Muse" Raw sketch (Summer 2009) Copyright 2010 Artist Jane Bush

    The beginning stages of "The Color Muse". Experimenting for the first time with watercolor pencils. Sketched in graphite.

    The beginning stages of "The Color Muse". Experimenting for the first time with watercolor pencils. Sketched in graphite.

    "The Color Muse": The point at which she sat in this state for months as my creative block hit. (Fall/Winter 2009)

    "The Color Muse": The point at which she sat in this state for months as my creative block hit. (Fall/Winter 2009)

    "The Color Muse" Final Piece | Work is Copyright 2010 by Artist Jane Bush

    "The Color Muse" Final Piece | Work is Copyright 2010 by Artist Jane Bush

    For some reason, I’ve never been a fan of negatives/inverted photos or art, but I saw what she looked like this way, I almost like her more in negative.

    "The Color Muse" "The Color Muse" Final Piece in Negative | Work is Copyright 2010 by Artist Jane Bush

    "The Color Muse" "The Color Muse" Final Piece in Negative | Work is Copyright 2010 by Artist Jane Bush

    Muse live in Chicago @ The United Center

    Tuesday, March 16th, 2010

    Dominic Howard of Muse proved he's one of the best modern day drummers at Friday night's show in Chicago

    When I first started shooting shows, it was one of my dreams to be able to shoot Muse, who are my favorite band from the UK. Time and time again they’ve proved their work to be genius and uniquely arranged, but when it comes to their live shows, fans know they’re in for the best possible production value not only in their performance but visual spectacles. Friday night, that very goal, that dream of shooting Muse for the first time came true as I shot the band while on their Resistance tour at Chicago’s United Center.

    Armed with a 300mm f/2.8 and a 70-200 f/2.8, I have to admit as a concert photographer that was the first time I was ever nervous before shooting a show, much less shooting from a soundboard for the first time. When the lights when down though, things changed. After a grandiose entrance via LCD screens and 3 large pillars, the band didn’t have to keep the crowd’s attention with their effort of 110% to us and frontman Matt Bellamy reflecting laser beams over the audience. Highlights of the evening included a mindblowing drum solo from Dominic Howard that would make the late Jon Bonham beam with pride,  stunningly beautiful visuals and messages through their giant trio of pillar screens (all of which were programmed to the live music), multiple laser lights as high as the ceiling, annihilating guitar jams from Matt Bellamy, giant eye ball balloons thrown like beach balls into the audience, and a spaghetti western harmonica intro to Knights Of Cydonia from bassist Chris Wolstenholme.  They played many tracks from their latest album, The Resistance (which I highly recommend you go out and buy if you haven’t yet) as well as tracks from Absolution (Time Is Running Out, Stockholme Syndrome, Hysteria), Black Holes & Revelations (Supermassive Black Hole, Knights, Map Of The Problematique) and Origin Of Symmetry (Plug In Baby, New Born). From first note to last, the energy didn’t stop, and after shooting them I’m sure for a while everything will seem sub par in comparison.

    From a photographer’s point of view, this is by far one of the best bands to photograph. Call me biased, but if you ever do shoot them, you’ll understand what I’m saying. Not only is it a visual spectacle to be witnessed, but the lighting and production quality is so vast and great that it’s not hard to get great shots of them. Timing is everything in photography, and I was blessed enough to get all 3 members of Muse at some point to look right at my lens. Thanks to Muse for making it such an incredible experience both as photographer and fan. This won’t be the last time I photograph these guys as far as I’m concerned.

    You can check out my entire 41 photos from Muse’s show on March 12 in chicago here on buzznet.com. Here’s a preview:

    (Disclaimer: All images are © 2010 copyright Artist Jane Bush. Stealing, reposting, manipulating, reproduction of any kind (including posting to Tumblr, flickr, livejournal, or any other website or blog) is STRICTLY PROHIBITED AND ILLEGAL. Any attempts will be subject to consequences and possible legal action.)

    The Academy Is…celebrate the 5th anniversary @ The Metro in Chicago

    Tuesday, February 9th, 2010

    The Academy Is...were all smiles & energy for their sold out crowd at Chicago's The Metro theatre.

    Some bands are just so much fun to shoot it never gets boring, and the challenge of capturing their energy never grows tired. Such is the case with photographing The Academy Is… live. In the short time I’ve been an established concert photographer, I’ve been privileged to shoot the band twice and their lead singer, William Beckett, twice.

    On February 6th, 2010, the band celebrated the 5th anniversary of their debut album, Almost Here, to a sold out crowd at The Metro in Chicago by performing the album live, save for a few exceptions when they performed such songs like Seed and Everything We Had from their sophomore Santi, and About A Girl and Summer Hair=Forever Young from their latest full length album, Fast Times At Barrington High. Seeing them perform and celebrate their 5th anniversary debut was truly a treat, and it was no wonder why they were as successful as they are with their always energetically charged performances and appreciation to their devoted fan base. Being from the suburbs of Chicago, it was also no wonder why they were playing a sold out show: Chicago is home to other well known bands such as Kill Hannah and the legendary Smashing Pumpkins, and the city’s fans are always passionate about the bands that break new ground for the music industry.

    I can tell you as much fun as I love shooting the band, I also love watching them perform. I’m sure it won’t be the last time for either one of those experiences. Below are a few of the photos I shot from Saturday night’s performance, and the rest you can find in a gallery on buzznet.

    As always,  all images are © 2010 Artist Jane Bush. Absolutely no reposting ANYWHERE. Reproduction, stealing, reposting on Tumblr or ANYWHERE else on the web is strictly prohibited!

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    William Beckett live @ Reggie’s Rock Club

    Monday, January 4th, 2010
    Mr. William Beckett, chicago native, all smiles and rockin' the show at Reggie's for my new 70-200mm f/2.8 zoom.

    Mr. William Beckett, Chicago native, all smiles and rockin' the show at Reggie's for my new 70-200mm f/2.8 zoom.

    Being a midwest native myself, it’s always a treat to shoot bands from the likes of Chicago, especially The Academy Is…, so it goes without saying that seeing an acoustic live show by William Beckett is always a must shoot experience for me as a photographer. Just shy of Christmas on December 19th, Mr. Beckett performed a special benefit show at the intimate Reggie’s Rock Club in Chicago’s southside. Since there was no photo pit barracade, the fate of my new 70-200 mm f/2.8 and the photography experience lied in the hands of my own resources and the friendly staff at Reggie’s (thank you, btw). The positive side to this was the access to just about any area of my choice, and the majority of my shooting took place on the left side of the stage. I also was given plenty of time to change lenses as there was no usual “3 songs then you’re out limit”, which hasn’t been the case when I’ve ever photographed TAI or William, which I have to say is both not only a privilege but an honor as well. Given that, I also used my 50mm prime and 24-70mm f/2.8 zoom.

    As Mr. Beckett’s performance was a grade A story telling experience as always, he ripped through acoustic versions of everything from Winter Passing to The Fever (one he rarely performs live these days) to the wonderful Alkaline Trio cover he does of their song Radio. Special highlighted moments included him telling stories of the formative days of his band, The Academy Is…, on the rise and the support he got from Reggie’s and taking a swig of Jack Daniel’s straight (now that’s very midwest!) while stating it was his “Lil’ John ‘get crunk’ moment” that got a good laugh out of everyone in attendance.

    It never seems to be a problem getting the approval of shooting either William or TAI, so special thanks to them and their management as well as buzznet.com. You can check out the rest of the photos in the gallery there.

    A very Dylan-esque shot of TAI's William Beckett ready to rock Reggie's in his hometown of Chicago!

    A very Dylan-esque shot of TAI's William Beckett ready to rock Reggie's in his hometown of Chicago!

    Photos of Kill Hannah backstage before Dekalb show

    Thursday, November 19th, 2009
    Kill Hannah getting ready for their show in Dekalb, IL

    Kill Hannah getting ready for their show in Dekalb, IL

    Last month I’d shot Kill Hannah at Pop’s in St. Louis opening for Jet and later I’d arranged to drive up to Dekalb, IL for their show the following week where I had the privelege of meeting the band before the show. If there’s something to be said of Kill Hannah themselves, they share a close connections to their fans and appreciate them greatly, so these are sure to be a treat for you. I love their music and so it was fun interacting with them offstage just before the show to capture their routine and what they do before putting on an excellent show for the crowd. After speaking with frontman Mat Devine about what he wanted, I took these series of photos on continuous shoot and used a post production method of cross processing and filters to create the look associated with 35mm film cameras of 70’s/early 80’s. I also used this method for their concert photos from that night that I’ll be posting here next.

    These photos are exclusive to this site and are property of myself and Kill Hannah, so reproduction and redistribution are completely prohibited. Scroll down to the bottom to view the gallery of all 36 images. Enjoy! Special thanks to the guys in Kill Hannah. You guys are great!

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    Concert Photos: Taking Back Sunday live @ Pop’s

    Wednesday, November 4th, 2009

    Taking Back Sunday live @ Pop's

    There are some bands who are good live, and then there are some who are amazing live, engaging the audience with their high energy and dynamic stage presence. Long Islanders Taking Back Sunday are exactly the latter of the two. Despite being on crutches due to a torn ligament in his leg, frontman Adam Lazzara took the stage with the rest of the band and took the packed house by storm opening with Set Phasers To Stun. Following with You Know How I Do and the first single from New Again, Sink Into Me, Lazzara and company didn’t stop for a full 2 hours and never lacked a moment of their usual aggressive stamina. Between bassist Matt Rubano’s stage antics, perfectly matched backup vocals of Matt Fazzi, and the arrival of their talent newest member Isaac Bolivar, the band had enough energy as a whole to keep an amazing performance going despite Lazzara claiming “I feel ridiculous up here [in crutches].”

    Adam Lazzara of Taking Back Sunday

    For the live performances, Taking Back Sunday have a gift for perfectly balancing both new and old material. Throughout the night they touched base with the audience and thanked the crowd for their continued devotion throughout the years before blowing us away with “Cute Without The E” and some of the other wonderful tracks from Tell All Your Friends such as “Great Romances Of The 20th Century” and of course “You’re So Last Summer”. The setlist was covered with other winners like “Capital M-E”, the title track to New Again, “Liar (It Takes One To Know One)”, the visceral “Lonely, Lonely”, and an encore that consisted of Where You Want To Be’s “A Decade Under The Influence” and “Make Damn Sure”.

    Pop’s colorful lighting of the night with their blue, magenta, and yellow main lights and red back lighting can prove to be a challenge at times. However, the 50mm f/1.8 and 25-75mm f/2.8 was able to give me the versatility I needed to capture both intimate close ups of the guys in Taking Back Sunday and more wide angled shots. For crowd surfers and the rest of the crowd singing along in harmony, the entire night was a treat for both first time goers and veterans of their audience.

    This is the third time I’ve seen TBS live, and the second time I’ve photographed them live. I have to say that of all the bands I’ve shot, they are by far some of my select favorites. Their occasional storytelling between songs gives way to their down to earth offstage personalities and defies their monstrous performances. Between each unique member, it is always a thrill to witness their talent live and capture it with a camera. I hope for it to be far from the last time I will be there to photograph them, and I guarantee you it will be a blast! Special thanks to Lisa Bregant and notesfromthepit.com. You can view the entire gallery of photos from the show here.
    Here’s a preview of some of the moments captured that evening:

    Matt Rubano of Taking Back Sunday

    Mark O' Connell of Taking Back Sunday

    Taking Back Sunday live @ Pop's

    Adam Lazzara of Taking Back Sunday

    Adam Lazarra & Matt Rubano of Taking Back Sunday

    The Academy Is…Buzznet Exclusive Photos of Chicago’s Finest @ County Fair

    Sunday, July 26th, 2009

    The Academy Is...bring the storm in a battle against mother nature in Chicago

    Chicago natives The Academy Is…are by far one of my favorites bands to photograph, as well as a band I feel they deserve more credit than they’re given. If you’ve seen them live, you know why with their high energy performances that are far beyond infectious to the audience past the young fangirls. While I had photographed them before on their Snakes & Suits acoustic tour, I was ready to capture that energy from a different aesthetic at the Dupage County Fair in the Chicago suburb of Wheaton, IL.

    After shooting their opening act, The Cab, the crowd started to chant “TAI!” after the announcement from the event coordinator about safety rules and possible rain coming in, I geared up my 50mm and 24-70mm for fast switching. The best thing I’ve found with the 2 shows I have shot for TAI is that they haven’t put any song limits on their photographers. I don’t know if this is typical, but it’s thrilling nonetheless because it’s very rare for a band and/or a venue to allow that. After the band started to play, it was no surprise that the Chicago natives had a very enthusiastic crowd and the energy of the show was tremendous. The band was having a blast as well as the audience and myself!

    However, the saddest part of the evening was the abrupt ending of the show after only 4 songs due to an electrical storm was predicted and mother nature started to interfere. While I wished I’d captured the very moment a bolt of lightning was in the background of shot of William, it was quite a huge bummer when the event coordinator came back onstage to announce the band couldn’t perform any longer due to the storm and fans were prompted to leave the premises. You can imagine the booing at the guy for this, and even the band stuck around on stage for a few moments following (I suppose to negotiate or ask if it were really necessary as the storm hadn’t really come in full force yet). In the end, mother nature won and the show was canceled. Everyone was bummed, but if it weren’t a liability on the venue’s shoulders, I can tell you that they probably would’ve played in 10 inches of snow if it were solely up to the band. Despite the shortened set, I was still able to capture the raw energy of the 4 songs of this show and was still happy to have been there. Maybe next time we’ll have better luck as I hope to photograph them again in the future! Click here to view the entire 44 photos of the show at the buzznet exclusive gallery!

    The Yeah Yeah Yeah’s prove their no zero in St. Louis!

    Wednesday, June 3rd, 2009
    Karen O. in her usual show stopping stage presence in St. Louis

    Karen O. in her usual show stopping stage presence in St. Louis

    The Yeah Yeah Yeah’s brought the house down Tuesday, June 2nd at the Pageant in St. Louis with their incredible stage presence and unique rock sound. While the lighting was tough at times, it was never dull. I was constantly captivated by frontwoman Karen O., who came out in a unique robe and black light face paint. Ripping through everything from their latest Zero (in which she came out in her leather KO jacket) to an encore that consisted of Maps, the entire set was power packed and never dissapointed. The energy exchanged between the band and the crowd was infectious, and 24-70mm did justice to their vividly colorful set. Special thanks to Karen. These exclusive photos will be featured on Buzznet tomorrow, and you can take a look at the entire set of them here.

    Buzznet Exclusive: Taking Back Sunday photos in Orland Park, IL

    Wednesday, May 20th, 2009

    Taking Back Sunday onstage at Journey's Backyard BBQ

    It’s that time of year again: Warm weather, BBQ’s, and time for your favorite bands to go on festival tours again. Kicking off this summer’s ring of larger festival tours was the smaller, more exclusive Journey’s Backyard BBQ. Headlining that outdoor fiasco of music and skateboarding was Taking Back Sunday, one of my favorite bands not only in the studio but in performance as well.

    Opening with the awesome first track from their debut Tell All Your Friends, You Know How I Do (which I must say I was super pumped that they played!), frontman Adam Lazarra and company ripped through their set inducing crowd pleasing sing alongs and frequent crowd surfing on the sunny but breezy Saturday evening in the Chicago suburbs. It was incredible fun to hear them perform everything from the newer material from New Again that comes out June 2nd as well as the old school classics like Cute Without The (E), A Decade Under The Influence, and a rare live performance of What It Feels Like To Be A Ghost. Not only was it great to see them again live on stage, it was great talking to them before and after the show. Very personable and funny!
    My only complaint with the Journey’s Backyard BBQ? None that I can think of at all, other than there was no actual BBQ. I was hoping for some gigantic pits fueled with charcoaled flames of good food. Oh well…there’s plenty of summer ahead of us to do that on my own time!
    Head on over to Buzznet.com where you can see the gallery of 72 exclusive photos I took of the band that they’re featuring right now. A preview:

    Taking Back Sunday live  Journey's Backyard BBQ - Photo Hosted at Buzznet

    Awww...pals! Taking Back Sunday live  Journey's Backyard BBQ - Photo Hosted at Buzznet

    Taking Back Sunday live  Journey's Backyard BBQ - Photo Hosted at Buzznet

    Watch the video for “Sink Into Me”, the new single from New Again coming June 2nd! It’s good for the soul..and it’s a damn good video! And of course, special thanks to Karen and Taking Back Sunday.

    Bob Dylan

    Sunday, March 8th, 2009

    From my daily music dose journal @ Buzznet.

    I’ve been a longtime fan since I first discovered his work by working in music retail in the late ’90’s, I’ve been able to rediscover his work over the past decade multiple times due to his vast catalogue of music and lately for the recent MCR cover of “Desolation Row” for the Watchmen movie. For those of you who aren’t familiar with the genius of Dylan, listen up and take notes. Even if Dylan is not for everyone, I still think he should be. All you have to do is listen.

    You may even be surprised to find you already know a Dylan song or two; many artists have covered Dylan over the decades. Everyone from Jimi Hendrix to PJ Harvey to Muse to now even My Chemical Romance.

    While some of you may be familiar with his early work in the ’60’s as becoming a figure of writing songs such as “The Times They Are-A Changin’” and Blowin’ In The Wind; songs that became anthems for civil rights movements and anti-war, it’s one of these particular songs I’d like to point out that seems even still to this day timeless. That song is “Masters Of War”, from his 1963 album The Freewheelin’ Bob Dylan: paints a picture of those responsible for war that can be used even today’s societies:

    You that never done nothin’/But build to destroy/You play with my world/Like it’s your little toy/You put a gun in my hand/And you hide from my eyes/And you turn and run farther/When the fast bullets fly

    While it’s an understatement to even say Bob Dylan is simply a genius, it should be given credit where credit is do for this: he is a singer, songwriter, author, poet, painter, and a thinker. At the heart of his genius is not just a multi-talented musician, it his lyrics that spark the interests of millions and generations and are a subject of poignant interest. While his earlier work in the ’60’s was a herald of truth to the tension of the times, his more personal work in the ’70’s also paints a truthful picture for humanity: honesty in his emotional songwriting. So honest, in fact, that it’s safe to say I think Bob Dylan has written over the years a song for everyone in every type of relationship. Storytelling in its most poetic musical form: lyrics. Albums such as 1975’s Blood On The Tracks is a long time favorite, possibly because it’s full of emotion and storytelling, as exampled here in “You’re Gonna Make Me Lonesome When You Go”:

    “Situations have ended sad/Relationships have all been bad./Mine’ve been like Verlaine’s and Rimbaud./But there’s no way I can compare/All those scenes to this affair/Yer gonna make me lonesome when you go.”

    Even his work in the late ’60’s when he made the jump from acoustic to electric performances, much to his earlier fans’ demise, is just as important as his anti-war songs. Albums like Bringing It All Back Home and Highway 61 Revisited are just as crucial to knowing Dylan as to knowing his early work. He didn’t want to repeat himself, didn’t want to explain himself and didn’t have to. Much like the person he is, he says what he says and he doesn’t prefer to be boxed in a corner when it comes to his craft. He despised being called “a folk singer” by press, and he wasn’t afraid to challenge the likes of journalists when questioned why he made the change to take his music in a different direction. While fans of this time called his work “an abortion”; imagine how wrong they really were. Songs like Subterranian Homesick Blues and Maggie’s Farm became legendary and set a foundation for other artists to branch out their style. Even so, it’s his little gems I’ll suggest you listen to.

    I could probably write an encyclopedia on Dylan, talk about him for hours, but I think the point of this entry is to go out and discover his work for yourself. Once you’ve appreciated him, you’ll never quite look at songwriting or the world the same way. I was lucky enough to see him several times live, and he never dissapoints. The first time was at the Illinois State Fair in 2000, 50 ft from the stage and probably the first and only time I’ve ever been starstruck. His songs will make you think, they’ll make you cry, they’ll make you laugh. His lyrics will touch you. He is equally an open book and a mystery.

    And finally, yes, shameless self promotion, as I’ve done some artwork of Dylan in tribute to the man himself

    Bob Dylan Pop Art - Photo Hosted at Buzznet

    A Few Dylan Classics:

    “The Times They Are-A Changin’” * “Blowin’ In The Wind” * “Like A Rolling Stone” * “It Aint Me, Babe” * “Mr. Tamborine Man”

    A Few Personal Dylan Favorites: (and this is condensed)

    “She Belongs To Me” * “Tangled Up In Blue” * “Series Of Dreams” * “Tombstone Blues” * “Things Have Changed” * “Desolation Row” * “Highway 61 Revisited” * “You’re Gonna Make Me Lonesome When You Go” * “Buckets Of Tears” * “Leopard Skin Pill-Box Hat” * “Dirt Road Blues” * “It Takes A Lot To Laugh, It Takes A Train to Cry” * “I Want You” * “Most Likely You’ll Go Your Way (And I’ll Go Mine” * “Don’t Think Twice (It’s Alright” *

    Dylan Video Fun

    “Subterranean Homesick Blues”

    “Series Of Dreams” (an incredible song) View the awesome video here: I couldn’t embed it, sorry…youtube’s fault.
    http://www.youtube.com/watch?v=H-gamWTze6g

    “Don’t Think Twice, It’s Alright” (awesome song, awesome video)

    If you get a chance to watch the Martin Scorcese documentary about Bob Dylan entitled “No Direction Home”, I highly highly HIGHLY recommend it! Have a great weekend everyone! Hope you find a place in your heart for Bob Dylan!